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Depending on how rich you were, you could either go along and buy a ready-made papyrus, which would have blank spaces for your name to be written in, or you could spend a bit more and probably choose which spells you wanted.
Some of the spells are to make sure you can control your own body after death. The ancient Egyptians believed that a person was made up of different elements: So there are a lot of spells to make sure you do not lose your head or your heart, that your body does not decay, as well as other spells about keeping alive by breathing air, having water to drink, having food to eat.
There are also spells about protecting yourself, because the ancient Egyptians expected to be attacked on the journey to the afterlife by snakes, crocodiles and insects — an idea very much based on the threats they knew in real life, only much more frightening and much more dangerous.
As well as the animals, you could be attacked by gods or demons who served the gods. In the next world, there are a lot of gods guarding gateways that you have to get through, and if you do not give the right answers to their questions at the gates, they can attack you because they have knives and snakes in their hands.
Without the correct spells to protect you, you could be punished in a variety of ways: The worst thing that could happen is what was called the second death.
This meant you were killed and your spirit could not come back and so you would have no afterlife at all. It was a world of great fear that they believed they were going into, and The Book of the Dead provided guidance and protection on this journey.
All this was possible to visit for the first and last time at the British Museum as a major exhibition. The British Museum has one of the most comprehensive collections of Book of the Dead manuscripts on papyrus in the world, and this exhibition was the first opportunity to see so many examples displayed together.
Because of the fragility of the papyri and their sensitivity to light, it is extremely rare for any of these manuscripts to ever be displayed, so this was a truly unique opportunity to view them.
The exhibition included the longest Book of the Dead in the world, the Greenfield Papyrus, which measures 37 metres and has never been shown publicly in its entirety before.
He established the numbering system used to distinguish the chapters or spells today. Karl Lepius encouraged other scholars to collect the known variations of all the spells in one book.
Edouard Naville undertook this task and completed a three-volume collection of spells. This collection included the significant variations of each spell and his commentary.
These texts do not record the lives and deeds of the men or women buried in the tombs who owned them. Instead, these texts provide spells to ensure that a soul could pass into the Egyptian paradise through the perils of the Tuat.
The Book of the Dead is a compilation of many Egyptian texts of which the Pyramid Texts are the oldest. These texts stated that his connection to Osiris would allow for the fulfillment of his needs in the afterlife.
During this period, only the Pharaoh could have the texts carved in his tomb that would ensure him a good place in the afterlife. The Coffin Texts were first compiled during the Middle Kingdom and written from the 18th to 21st Dynasties.
Some of these texts were papyrus rolls that could be fifty to one-hundred feet long. Finally Spell is addressed directly to Amun: The lion, Magician, eldest of the gods of the east of the sky…hidden of aspect, mysterious of form, lord of the two horns… Amun of the Pillars …O Amun, I ask of you, for I know your name; your forms kheperu are in my mouth, and your outward aspect inu is in my eyes.
It would be hard to imagine a more a direct and poetic description of the Jebel Barkal pinnacle than this! If these spells cryptically describe Jebel Barkal and the gods manifested in its pinnacle, their vignettes also seem to picture them.
For example, the most basic illustration of Spell is an arching snake with two legs fig. This snake appears again with added detail in more elaborate versions of the vignette fig.
What is in the pupil of one is the image of a deity with upraised arm and the face of Bes wearing twin plumes, its back being that of a falcon.
Vignette illustrating Spells and of the Book of the Dead. The ithyphallic goddess and dwarf Kamutefs illustrate the numerous deities of both sexes present within the rock.
Papyrus BM , Faulkner , From this we learn that the two-legged snake could also be pictured wearing a disk and horns, which identifies him as the form of the sun god solar ba who travels on his bark through the Underworld by night fig.
A painting in the tomb of Nofretari informs us that the god, thus crowned, was the sun god of the Underworld in whom resided both Osiris and Re fig.
The text at lower left reads: Thausing and Goedicke , pl. The full vignette of Spell fig.